The title of Sonum Sumaria’s languid film might suggest a broad feeling of possibilities, however her documentary in fact focuses on an traditional lifestyle that has become painfully limited.
The protagonist and his family – descended from a long line of wandering pastoralists – raise dromedaries on the expanses of Kutch in western India.
Routine activities, cooking bread over campfires and nursing their animals, are shown in personal, leisurely moments.
Deeply in Communion with the Environment
These routines are profoundly in accord with the land, however the surroundings has permanently changed, threatening their way of life.
Water scarcity rages, offering minimal hydration for Ahmed’s sick herds.
Climate change is just one factor; in impressionistic panoramic views, we see glimpses of wind turbines and factories, private enterprises that turn the local ecosystem into barren land.
Insufficient Assistance for Desert Pastoralists
Furthermore, although regulations designate grazing ground for cattle and bison, no equivalent policies are offered for those with herding animals.
Undernourished, Ahmed’s animals grows increasingly unhealthy.
In a sorrowful twist, mounting debts and medical costs quickly compel him to sell a large portion of his herd.
Critical of Contemporary Business
Though critical of today’s economy, Sumaria’s movie does not romanticise tradition.
In addition to their herding traditions, Ahmed’s family clings on to traditional perspectives of sex-based duties.
Much of the housework is done by the females, including his child Hanifa, whilst her male siblings are allowed to play.
Here, young girls are not given a proper education; they are supposed to marry early.
Captivating and Compassionate Portrayal
The documentary could have dived deeper into these problematic aspects, tying them maybe to the larger issues regarding the insufficiency of public aid.
However, for a first film, this stands as a gripping and sympathetic depiction of a vanishing culture.
